Spitfire Audio eDNA Earth

Trying out the Spitfire eDNA Earth instrument

I will try to write about my impressions with the Earth instrument. However, I will not completely review it. For in-depth reviews please check MusicRadar or TheAudioSpotlight or others. For me, ever since Camel Audio was bought by Apple and its Alchemy synthesizer disappeared as a standalone virtual instrument, I felt lost. Alchemy had a granular synthesis engine and a unique way to parameterize its sounds. The unique sound of this instrument disappeared and there was nothing to replace it. Omnisphere apparently is capable of recreating some sounds, but that is mainly because it can synthesize anything and its priced accordingly. The moment I heard a demo for Earth, I heard back some of that Alchemy sound again.

Technically its a completely different beast, compared to Alchemy. The Earth sounds are based on an orchestral sample library, but are then processed by the Kontakt engine to sound, cinematic, outer worldly and sometimes electronic. Yes its a Kontakt instrument, so you need at least the Kontakt player. Inside Kontakt you will find the eDNA interface of this instrument. As an owner of a Komplete Kontrol A series keyboard, this is very convenient. It means I can use the Komplete Kontrol browser to quickly browse through the sounds and immediately tweak parameters of the sounds once loaded.

The Kontakt engine and the eDNA interface of Earth takes some getting used to. To make sure you fully understand its workings its a good idea to go through the walk through on the Spitfire Audio site. In short, every sound consists of two samples from the library. Which are mangled, then mixed, then chopped up and lastly processed by a set of effects. Very important is to see that you have sounds, but also full versions of the same sound. The full version contains the full range of orchestral samples. This allows you not only to start with a fixed set of samples, but eventually switch out one of the samples for another.

The result is that you get a sound that is usually cinematic. Sometimes a wash or a drone in the background and sometimes a sharp stab in the foreground. Because of the mangling and the chopping, sounds can really get that grainy Alchemy sound, or a dirty sound. None of the patches is really clean. I can only say: I love it. All sounds immediately inspire to let you build a soundscape. Even better, with a Komplete Kontrol Keyboard you can also immediately start changing the sound, bringing it even more to life.

If are looking for cinematic sounds, drones, or dirty stabs and you want an affordable synth then I invite you to take a look at this Kontakt library. In most reviews you will find some comments on eDNA interface of this instrument and I have to agree that it can be kind of hard to find your way in elements that are not inviting you to click or drag. After some getting used to it is not that bad. All in all: recommended!

Published by

TheWim

B2FAB is a solo project of The Wim, straight from a small studio in the attic. The Wim was a songwriter and keyboard player in Iceparty and various projects after that.

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